Search Results for: 1960s

https://www.youtube.com/watch?vXib_oKzxXZE "Monday, Monday" Bah da bah da da da Bah da bah da da da Bah da bah da da da Monday, Monday, so good to me Monday mornin', it was all I hoped it would be Oh Monday mornin', Monday mornin' couldn't guarantee That Monday evenin' you would still be here with me Monday, Monday, can't trust that day Monday, Monday, sometimes it just turns out that way Oh Monday mornin' you gave me no warnin' of what was to be Oh Monday, Monday, how could you leave and not take me Every other day, every other day Every other day of the week is fine, yeah But whenever Monday comes, but whenever Monday comes A you can find me cryin' all of the time Monday, Monday, so good to me Monday mornin', it was all I hoped it would be But Monday mornin', Monday mornin' couldn't guarantee That Monday evenin' you would still be here with me Every other day, every other day Every other day of the week is fine, yeah But whenever Monday comes, but whenever Monday comes A you can find me cryin' all of the time Monday, Monday, can't trust that day Monday, Monday, it just turns out that way Oh Monday, Monday, won't go away Monday, Monday, it's here to stay Oh Monday, Monday Oh Monday, Monday Click "Next" to get the facts "Monday, Monday" is a song written by John Phillips and recorded by the Mamas and the Papas in 1966. Utilizing background instrumentals played by members of The Wrecking Crew (a session band who was played on many 1960s hits) The Mamas and the Papas cut the single for their 1966 record If You Can Believe Your Eyes and Ears. This was their only number-one hit on the U.S. Billboard Hot 100. Click "Next" to read more. According to Phillips, he wrote the song rather hastily, with a timing of about 20 minutes. "Monday, Monday" contains a fake ending. There is a quick pause before the actual ending of the song, and goes up half an octave for the bridges and refrains of the tune. It was the second number-one hit song in the U.S. to have a false ending in it, following the Young Rascal's "Good Lovin." It was also the first time something like this happened between consecutive number one hits. Click "Next" to read more. On March 2, 1967, The Mamas & the Papas won a Grammy award on March 2, 1967, for Best Pop Performance by a Duo or Group with Vocal for "Monday, Monday". According to music scholars, the best live performance of this song was at the Monterey Pop Festival in California, 1967, as seen in the video above. Do you remember the first time you heard this hit? Tell us about it in the comment section below. Related: The Mamas & the Papas: “California Dreamin'” Dream A Little Dream Of Me Before There Was Les Paul Guitars, There Was Les Paul

Monday Monday The Mamas And The Papas (1966)

Collection of Elizabeth Taylor’s classic roles

Please Do Not Resurrect These TV Shows! If It Ain’t Broke, Don’t Fix It

Sherlock Holmes Creator Born Today

The Complicated, Talented Life of Sammy Davis, Jr.

Most Incredible (Or Incredibly Awful) Dances Inspired By Songs

Tom Jones’ “It’s Not Unusual”

Cher through the Years

Wednesday’s Nostalgic News: May 3

T.V. Guide: Monday, May 1… A Long LONG Time Ago!

The Last Cassette Factory

String + Nails = Art … Who Remembers Doing This?