Campbell reached the height of his session player power in 1965 when he became a touring member of the Beach Boys — playing bass to compensate for the absent Brian Wilson — as well as contributing guitar parts to the group’s landmark “Pet Sounds” album. All the while, Campbell had been erratically pursuing a solo career, recording mostly unremarkable singles for Crest Records and later Capitol. Though he broke onto country radio a few times, he began to lose favor with Capitol label heads, who by the mid-’60s were pondering dropping him from the roster.
Fortunately, they didn’t, as Campbell’s career experienced a sudden, dramatic upswing in 1967, when he recorded a rendition of John Hartford’s “Gentle on My Mind.” Though the 45 barely breached the top-40 singles chart, the titular LP was a runaway success, topping the country album chart and reaching No. 5 on the pop charts.
Follow-up single “By the Time I Get to Phoenix” was an even bigger hit, reaching No. 2 on the country chart and marking the beginning of Campbell’s collaborations with songwriter Jimmy Webb, whose compositions would provide Campbell with hits for years to come. Underscoring the universality of the burgeoning star’s appeal, Campbell won four Grammys for the two songs at the 1967 awards — two in country categories, the other two in pop categories.
This turned out to be the opening salvo in a remarkable streak of hits for the singer. Starting with “Gentle,” Campbell managed to rack up seven consecutive country album chart-toppers over a two year period, recording such iconic tracks as “Wichita Lineman,” “Galveston,” “Dreams of the Everyday Housewife” and a string of duets with Bobbie Gentry. LP “By the Time I Get to Phoenix” won Campbell an album of the year Grammy in 1968.
RIP #GlenCampbell here on the right with @TheBeachBoys pic.twitter.com/L7Vhu369A1
— Joe Belock (@JoeBelock) August 8, 2017