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Romero took an intellectual view to his depiction of zombies, an approach he found lacking in some of the work that came after him.
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“I grew up on these slow-moving-but-you-can’t-stop-them [creatures], where you’ve got to find the Achilles’ heel, or in this case, the Achilles’ brain,” Romero told The Times in 2005, referring to the organ whose destruction waylays a zombie. “In [the remake] they’re just dervishes, you don’t recognize any of them, there’s nothing to characterize them…. [But] I like to give even incidental zombies a bit of identification. I just think it’s a nice reminder that they’re us. They walked out of one life and into this.”
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His critical eye could be trained on subjects beyond the undead. In 1988, he remarked on the street scene on Hollywood Boulevard to a Times reporter, making a prediction that proved true.
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